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Arnold accidentally knocks out a bully named Harold during a baseball game, and Harold gives Arnold 24 hours to live before he beats him to a pulp. Theatrical short pilot of Hey Arnold.

Edward, an AI scientist, realizes that the program he developed has been applied to military weapons and caused many deaths.

This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

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When Arnold receives Mr. Hyunh's name in the boarding house's annual Secret Santa draw, he decides to make it the most special Christmas ever for the lonely boarder, and tries to reunite Mr. Hyunh with his long-lost daughter. Meanwhile, Helga agonizes over what would make the perfect present for Arnold.

Arnold, reproved by General Washington, decides, with the bitter hatred of a small nature, to betray West Point into the hands of the British, and to that end enters into negotiation with Major Andre, as the representative of the British General.

When we say "Tartu", we mean "Matteus". Arnold Matteus (1897-1986) studied architecture in Germany and worked as Tartu's chief architect during several governments and the war. He was a gentleman, a diplomat, a creative personality and a master of compromises.

基于一个关于“爱德华·莫德雷克”（Edward Mordrake）最后日子的世纪之交“真实”故事。

Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin